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Artist Run at Hyde Park Art Center |
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May 10 – July 5, 2009, Gallery 1 Featuring 1/Quarterly, 65GRAND, Alogon, Antena, artLedge, Butchershop, Co-Prosperity Sphere, devening projects + editions, Deluxe Projects, Dogmatic, Fraction Workspace, Fucking Good Art (FGA), Green Lantern, He Said-She Said, HungryMan, joymore, Julius Caesar, Law Office, LiveBox, Margin Gallery, Medicine Cabinet/Second Bedroom Project Space, mini dutch, Modest Contemporary Art Projects, NFA Space, Normal Projects, Old Gold, Polvo, Roots & Culture, Scott Projects, Standard, Suitable, Swimming Pool Projects, Teti, The Suburban, and VONZWECK. |
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“Darkling”, “Breeze and Twiddle”, “Dead Stop”, “Balmy”, “Bramble Standoff”, Julia Oldham, 2008/9 collection of single channel videos. Oldham is interested in inhabiting the mental space of animals, particularly those that are hardest to relate to: birds, insects and invertebrates. She translates the movements, behaviors and mating rituals of invertebrates and other small animals into choreography that she performs in front of the camera. The resulting videos are concerned with playful anthropomorphization. |
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“Constance”, 3:00 min, Krista Birnbaum, 2006. The artist’s work with pet mice displays ideal miniature lives. Birnbaum envisions alternative methods of interacting with and appreciating nature. She deploys traditional notions of decoration and design, attempting to find a balance between two worlds, while pointing out the incongruency of such a union. |
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Jellyfish Tracing (red spotted), 50 sec, Jellyfish Tracing (two moon), 1:35 min Katy Higgins, 2006-7. These pieces are part of a project in which Higgins mapped the undulating motions of jellyfish and other sea creatures using a video effect called motion tracking. By applying a paint effect to the resulting path, Higgins generated a kind of tracing, that in effect employs the Jellyfish as drawer. |
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Looking, 5:12 min, Katy Higgins, 2008 In this video projection, a baboon peers out of a window, surveying the world around him. His expressive features encourage passers-by to consider what the animal is responding to and why, and to compare these responses to their own visceral experiences of being alive. |
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“Eleanor”, 3:11 min, Tim Geers 2007 Gorgeously shot with reminiscences of Planet Earth and other wildlife documentaries, yet subtly critiquing the US involvement in the Middle East. The piece is shot tightly capturing crickets caught in a liquid substance, presumably oil. The close-up shots depict the bugs devouring and succumbing to the liquid. The piece is open enough to engage a dialogue on excess as well as war. |
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